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Home The News News Blaauw details the two pillars critical to Taiwan’s future

Blaauw details the two pillars critical to Taiwan’s future

Two major pillars — the will of the Taiwanese public and the US’ commitment to its ally — provide support for Taiwan’s future, Formosan Association for Public Affairs executive director Coen Blaauw said earlier this week.

In a keynote speech to the 27th annual convention of the North American Taiwanese Medical Association (NATMA), Blaauw said that while he had no real concerns about the US fulfilling its role, he worried that Taiwanese might not fight hard enough to stay separate from China.

He said there was a widespread feeling of inevitability in Taiwan that the country would fall under Chinese rule.

However, this is far from inevitable, he said, adding that only if Taiwanese are prepared to reject Beijing’s enticements, could Taiwan secure its future independence.

Blaauw, who has helped to write much of the pro-Taiwan legislation that passed through the US Congress in the past decade, was presented with a NATMA award for service to Taiwan.

Others who have received the award in the past include Democratic Progressive Party Chairperson Tsai Ing-wen (蔡英文) and former president Lee Teng-hui (李登輝).

Clifford Chao, president of the NATMA Greater New York Chapter, which hosted the event, said the primary goal of the meeting was to raise awareness of key healthcare issues affecting the Taiwanese-American community, such as healthcare reform and cardiovascular diseases.


Source: Taipei Times - 2011/11/16



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Newsflash

The Government Information Office (GIO) has lodged a protest with the Venice Film Festival for labeling Seediq Bale (賽德克巴萊), which has been nominated for the Golden Lion award, a film made by “China, Taiwan” and demanded a correction.

Chu Wen-ching (朱文清), director of the GIO’s Motion Picture Affairs Department, said the protest was presented by the Taipei Representative Office in Italy on Friday.

FUNDING

ARS Film Production (果子電影公司), the producer of the film, also wrote a letter to the festival organizer, asking it to correct the name of the country of production. ARS said the film was not funded by China and did not employ Chinese actors.